On February 23rd, the V&A announced it will secure the archive of David Bowie for the nation – revealing the creative processes of one of the most pioneering and influential figures in the history of live and recorded music, film, fashion and beyond. Starting in 2025, the archive will be made available to the public, from fans to school children and researchers, through the creation of The David Bowie Centre for the Study of Performing Arts at V&A East Storehouse, in Stratford’s Queen Elizabeth Olympic Park. The acquisition and creation of The Centre has been made possible thanks to the David Bowie Estate and a generous donation of £10m from the Blavatnik Family Foundation and Warner Music Group.
Encompassing more than 80,000 items, the archive traces Bowie’s creative processes as a musical innovator, cultural icon, and advocate for self-expression and reinvention from his early career in the 1960s to his death in 2016. Alongside the creation of the new Centre, the gift will support the ongoing conservation, research, and study of the archive.
David Bowie is an undeniable icon of our times. With his passing, he left a void that can be felt by fans of his music but also those who followed him as a fashion and style inspiration. One only had to tune into this year's Brit Awards in London to see 'Unholy' singer Sam Smith, wearing a rubber version of the striped bodysuit, the 1973 design by Kansai Yamamoto that Bowie wore on the Alladin Sane tour. Smith's version is by Kerala-born, London and Delhi based designer Harri.
Dr Tristram Hunt, Director of the V&A, and a true fashionista himself, said: “David Bowie was one of the greatest musicians and performers of all time. The V&A is thrilled to become custodians of his incredible archive, and to be able to open it up for the public. Bowie’s radical innovations across music, theatre, film, fashion, and style – from Berlin to Tokyo to London – continue to influence design and visual culture and inspire creatives from Janelle Monáe to Lady Gaga to Tilda Swinton and Raf Simons. Our new collections centre, V&A East Storehouse, is the ideal place to put Bowie’s work in dialogue with the V&A’s collection spanning 5,000 years of art, design, and performance. My deepest thanks go to the David Bowie Estate, Blavatnik Family Foundation and Warner Music Group for helping make this a reality and for providing a new sourcebook for the Bowies of tomorrow.”
Spanning Bowie’s career, the archive features handwritten lyrics, letters, sheet music, original costumes, fashion, photography, film, music videos, set designs, Bowie’s own instruments, album artwork and awards. It also includes more intimate writings, thought processes and unrealized projects, the majority of which have never been seen in public before.
Highlights include stage costumes such as Bowie’s breakthrough Ziggy Stardust ensembles designed by Freddie Burretti (1972), Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). The archive also includes handwritten lyrics for songs including Fame (1975), “Heroes” (1977) and Ashes to Ashes(1980), as well as examples of the “cut up” method of writing introduced to Bowie by the writer William Burroughs. Additionally, the archive holds a series of intimate notebooks from every era of Bowie’s life and career.
The archive also includes a photo collage of film stills from The Man Who Fell to Earth(1975-76), directed by Nicolas Roeg and featuring Bowie, and over 70,000 photographs, prints, negatives, large format transparencies, slides and contact sheets taken by some of the 20th century’s leading photographers from Terry O’Neill to Brian Duffy and Helmut Newton. Among other highlights are instruments, amps, and other equipment, including Brian Eno’s EMS Synthesizer from Bowie’s seminal Low (1977) and “Heroes” albums and a Stylophone – a gift from Marc Bolan in the late 1960’s, used on Bowie’s seminal Space Oddity recording.
Sir Leonard Blavatnik, Founder and Chairman of Access Industries, and the Blavatnik Family Foundation, said: “We are very proud to support the V&A and allow for the creation of this irreplaceable archive to preserve and showcase David Bowie’s iconic career. His influence on music and popular culture throughout the world cannot be overstated.”
Max Lousada, CEO, Recorded Music, Warner Music Group, said: “As the stewards of David Bowie’s extraordinary music catalogue, we’re delighted to expand our relationship with his estate through this partnership with the V&A. This archive promises to be an unparalleled display of individual artistic brilliance, invention, and transformation. Bowie’s influence only grows in stature over time, and this will be an enduring celebration of his profound legacy.”
A spokesperson from the David Bowie Estate, said: “With David’s life’s work becoming part of the UK’s national collections, he takes his rightful place amongst many other cultural icons and artistic geniuses. The David Bowie Centre for the Study of Performing Arts – and the behind the scenes access that V&A East Storehouse offers– will mean David’s work can be shared with the public in ways that haven’t been possible before, and we’re so pleased to be working closely with the V&A to continue to commemorate David’s enduring cultural influence.”
Nile Rodgers, the prolific music producer said: “I believe everyone will agree with me when I say that when I look back at the last 60 years of post-Beatles music that if only one artist could be in the V&A it should be David Bowie. He didn’t just make art, he was art!”
Tilda Swinton, one of David Bowie’s friends and collaborators, said: “In 2013, the V&A’s David Bowie Is… exhibition gave us unquestionable evidence that Bowie is a spectacular example of an artist, who not only made unique and phenomenal work, but who has an influence and inspiration far beyond that work itself. Ten years later, the continuing regenerative nature of his spirit grows ever further in popular resonance and cultural reach down through younger generations. In acquiring his archive for posterity, the V&A will now be able to offer access to David Bowie’s history – and the portal it represents – not only to practicing artists from all fields, but to every last one of us, and for the foreseeable future. This is a truly great piece of news, which deserves the sincerest gratitude and congratulations to all those involved who have made it possible.”
V&A East Storehouse will be a new type of museum experience designed within and around the V&A’s stored collections. Taking visitors behind the scenes, it will enable unprecedented access to the nation’s collections, in a new purpose-built home for over 250,000 objects, 350,000 books and 1,000 archives. V&A East Storehouse brings together conservation labs, working stores, research and reading rooms with galleries, display and performance spaces and creative studios – brought together through an extensive public network centered around the Collections Hall, to create a unique experience for visitors. At The David Bowie Centre for the Study of Performing Arts at V&A East Storehouse, from 2025, fans will be able to get up-close and gain new insights into Bowie’s creative process like never before.
The David Bowie Archive joins the V&A’s Theatre & Performance collections, which includes the archives of influential individuals and organisations, from Vivien Leigh to Peter Brook, Akram Khan Dance Company, The Royal Court Theatre and Glastonbury Festival. The acquisition follows the V&A’s ground-breaking 2013 exhibition, David Bowie Is…, which marked the first time a museum had been given unprecedented access to the David Bowie Archive. The exhibition was seen by over two million people around the world as part of its international tour, becoming one of the V&A’s most popular exhibitions of all time.
Photograph of David Bowie Performing as The Thin White Duke on the Station to Station tour, 1976. Photograph by John Robert Rowlands. ©John Robert Rowlands and The David Bowie Archive, courtesy of the V&A, used with permission.